diff --git a/.changeset/import-frap-tools.md b/.changeset/import-frap-tools.md new file mode 100644 index 000000000..6ce46d180 --- /dev/null +++ b/.changeset/import-frap-tools.md @@ -0,0 +1,5 @@ +--- +"catalog": minor +--- + +Import Frap Tools (19 hardware entries). diff --git a/data/accessories/frap-tools-uno-bag.yaml b/data/accessories/frap-tools-uno-bag.yaml new file mode 100644 index 000000000..d0715c9b3 --- /dev/null +++ b/data/accessories/frap-tools-uno-bag.yaml @@ -0,0 +1,13 @@ +id: ZgoJx42KPV0NHFKBCJSGT +name: UNO Bag +manufacturer: frap-tools +primaryCategory: other +url: https://frap.tools/products/uno-bag/ +prices: + - amount: 140 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: Soft bags for the UNO case, made in two sizes, 84 HP and 126 HP. +specs: |- + - Two sizes: 84 HP and 126 HP diff --git a/data/hardware/frap-tools-321.yaml b/data/hardware/frap-tools-321.yaml new file mode 100644 index 000000000..18e90e17f --- /dev/null +++ b/data/hardware/frap-tools-321.yaml @@ -0,0 +1,106 @@ +id: e3Qul6soiXhoiA39qjz-B +name: "321" +manufacturer: frap-tools +primaryCategory: utility +categories: + - modular + - analog +url: https://frap.tools/products/321/ +prices: + - amount: 90 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The 321 is a three-section utility module for audio and CV, where + each section can scale a signal, invert it and add a positive or negative + offset. Two summing outputs provide the total of all three sections or only of + the sections whose local output is left unpatched. +details: |- + The 321 is a multi-purpose utility module for high-quality audio and CV processing. It consists of three sections, each capable of scaling a signal, inverting it, and adding a positive or negative offset. The signals feed two summing stages: one for all the sections and another that excludes the sections whose output socket has a cable plugged into it. + + Each section carries a DC-coupled amplifier that can attenuate or amplify audio and CV, adding up to 6 dB or doubling a signal level. A switch flips the phase of an audio source or inverts the values of a control voltage, and pairing that switch with an attenuator rather than using an attenuverter allows zero to be reached precisely so a channel can be muted completely. + + The Offset section adds or subtracts a DC offset from the incoming signal, which is useful for making unipolar signals bipolar or the reverse, and a switch disables the offset entirely for more transparent audio treatment. When no signal is patched to a section, its Offset control turns that section into a plain DC source, outputting a steady positive or negative voltage according to the knob position. + + Two outputs at the top of the panel provide two different sums. The right one outputs all three sections, including any offsets, while the left one outputs only the sections that are not using their local outputs, so a dummy cable patched to a section's output removes it from the Unpatched sum. Both sum outputs carry a -6 dB switch that halves the output amplitude when the sum is too hot. + + The summing stage borrows its design from the CGM creative mixer series, which gives transparent amplification and summing for both control voltages and audio signals. +specs: |- + - Three independent sections, each able to scale, invert and offset an audio or CV signal + - DC-coupled amplifier per section, attenuating or amplifying by up to 6 dB + - Phase and polarity inversion switch per section, paired with an attenuator so exact zero can be reached + - Positive or negative DC offset per section, with a switch to bypass the offset stage + - Each section outputs a steady DC voltage when nothing is patched to its input + - Two summing outputs at the top of the panel: All for the three sections and Unpatched for the sections whose local output is unused + - -6 dB switch on each of the two sum outputs + - Summing stage derived from the CGM creative mixer series + - Bus-powered from the Eurorack case power bus, with no power jack of its own +io: + - key: FtmfQFHD + name: Section 1 Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: ELLIa9cu + name: Section 2 Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: JyJMB4FF + name: Section 3 Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 787cCmFt + name: Section 1 Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: r34rzloI + name: Section 2 Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: MRSi2fE1 + name: Section 3 Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: Ebf2k2x2 + name: Unpatched Sum Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: VSwRfn6U + name: All Sum Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual diff --git a/data/hardware/frap-tools-333.yaml b/data/hardware/frap-tools-333.yaml new file mode 100644 index 000000000..d5c858bd5 --- /dev/null +++ b/data/hardware/frap-tools-333.yaml @@ -0,0 +1,184 @@ +id: tZ69Vl4qsrtME5g_b7yJh +name: "333" +manufacturer: frap-tools +primaryCategory: utility +categories: + - modular + - mixer + - analog +url: https://frap.tools/products/333/ +prices: + - amount: 90 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The 333 is a summing and distribution module for Eurorack, built + from three identical sections that each carry a three-input summing amplifier + and three independently buffered outputs. Because the sections are normalled + to one another, it also works as a 1-to-9 buffered multiple. +details: |- + The 333 is a summing and distribution module for Eurorack modular systems, laid out as three sections each with three inputs and three outputs. The three identical sections are coloured red, yellow and green, and each features a three-input summing amplifier feeding three independently buffered outputs. + + Derived directly from the CGM creative mixer series, the sum section is DC coupled, so control voltages can be summed as well as audio signals. Tolerance in both the sum and the output stages is extremely low, which makes the module suitable for summing quantized voltages such as the ones coming from the quantized outputs of the SAPÈL. + + The red and yellow outputs are normalled to the first jack socket of the yellow and green inputs respectively, so the three sections can be cascaded. That allows one signal to be sent to as many as nine outputs, turning the module into a 1-to-9 buffered multiple, or up to seven signals to be blended down to one, with every intermediate pattern available in between. + + All nine outputs are buffered to guarantee high multiplication fidelity, which keeps V/oct pitch signals accurate when they are distributed. The architecture therefore covers use as a mixer, as a buffered multiple, or as both at the same time. + + When control voltages or audio signals are particularly hot, each section's -6 dB switch halves the incoming signal exactly. Because the sections are connected, the three switches can be cascaded to reach -12 dB in the second section and -18 dB in the third. +specs: |- + - Three identical sections, red, yellow and green, each a three-input summing amplifier with three independently buffered outputs + - Nine inputs and nine outputs in total + - DC-coupled sum, suitable for control voltages as well as audio signals + - Extremely low tolerance in both sum and output stages, suitable for summing quantized voltages + - -6 dB switch per section, cascading to -12 dB and -18 dB across the second and third sections + - Red and yellow outputs normalled to the first input of the yellow and green sections + - Usable as a mixer, as a buffered multiple, or both, with I/O patterns from 1-to-9 through to 7-to-1 + - All nine outputs buffered for high multiplication fidelity on V/oct signals + - Sum design derived from the CGM creative mixer series + - Bus-powered from the Eurorack case power bus, with no power jack of its own +io: + - key: Cxx9yU5U + name: Red Input 1 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: XVyu7nrW + name: Red Input 2 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: USJxq2bF + name: Red Input 3 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: ydgjQp7T + name: Red Output 1 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: POvEEToA + name: Red Output 2 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: AR9d2NID + name: Red Output 3 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: ac6hf0FL + name: Yellow Input 1 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: iSsPAi1V + name: Yellow Input 2 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: HXeD3SOZ + name: Yellow Input 3 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 5FPNqdez + name: Yellow Output 1 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: tijAWkNG + name: Yellow Output 2 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: GR0b2EZS + name: Yellow Output 3 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 641vFbTc + name: Green Input 1 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: oMcpzLMw + name: Green Input 2 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: VNygaavM + name: Green Input 3 + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: tUbGTOGl + name: Green Output 1 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 2ut0fDTu + name: Green Output 2 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 0LB0IFrw + name: Green Output 3 + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom diff --git a/data/hardware/frap-tools-411-utility.yaml b/data/hardware/frap-tools-411-utility.yaml new file mode 100644 index 000000000..d0eff02f8 --- /dev/null +++ b/data/hardware/frap-tools-411-utility.yaml @@ -0,0 +1,157 @@ +id: cj0G9wWJeF0Hje5XioewL +name: "411" +manufacturer: frap-tools +primaryCategory: utility +categories: + - modular + - mixer + - analog +url: https://frap.tools/products/411-utility/ +prices: + - amount: 110 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The 411 is a quadruple linear VCA, mixer and multiple for audio and + CV, with semi-normalled signal and CV inputs and -6 dB attenuation switches. + An All output mixes all four sections while an Unpatched output carries only + the sections whose local output is unused. +details: |- + The 411 is a quadruple linear VCA, mixer and multiple for audio and CV. It consists of four linear VCAs with semi-normalled signal inputs and CV inputs, -6 dB attenuation switches, a mixed output and an unpatched output. + + The four VCAs are DC coupled, which suits them to modulating control voltages as readily as audio signals. They are also designed to stay open when nothing is patched to the inputs, so a channel passes signal without a control voltage present. + + The signal inputs and the CV inputs both use cascaded semi-normalled connections, so every signal patched to an input also feeds the following ones. That allows a wide set of source and modulation combinations from a small number of cables: four signals can be processed independently, one signal can be modulated by four CVs and sent to four destinations, up to four signals can be mixed and modulated by the same CV, or two audio signals can be mixed and modulated by a modulated CV. + + Two sum outputs work the same way as on the 321 module. The All output mixes the four sections, while the Unpatched output carries only those sections whose local output is not going anywhere, so patching a section's local output removes it from the Unpatched sum. + + A -6 dB switch per channel halves the CV input, which lets the module work with both 0 V to 5 V and 0 V to 10 V control voltages without rescaling the source. +specs: |- + - Four DC-coupled linear VCAs for audio signals and control voltages + - Cascaded semi-normalled signal inputs and CV inputs, so a patched signal also feeds the following channels + - All output mixing the four sections, plus an Unpatched output carrying only the sections whose local output is unused + - -6 dB switch per channel, halving the CV input so the module works with both 0 V to 5 V and 0 V to 10 V control voltages + - VCAs stay open when nothing is patched to the inputs + - Usable for processing four signals independently, modulating one signal with four CVs to four destinations, or mixing up to four signals under one CV + - Bus-powered from the Eurorack case power bus, with no power jack of its own +io: + - key: BEhYYSqZ + name: Channel 1 Signal Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 9txuoQth + name: Channel 2 Signal Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: V8B1gi64 + name: Channel 3 Signal Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: jULwR5FN + name: Channel 4 Signal Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: cHdorJsy + name: Channel 1 CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 2sdh1Haa + name: Channel 2 CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: nT0obn2r + name: Channel 3 CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: OnRGIUC9 + name: Channel 4 CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 0AlLBVMb + name: Channel 1 Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: xZgCJRX4 + name: Channel 2 Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: RHawVyr4 + name: Channel 3 Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: v6MxxnS9 + name: Channel 4 Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: cMG3gKKn + name: All Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: WX5BHaVA + name: Unpatched Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual +videos: + - provider: youtube + videoId: sIUMkv-tNlU + title: 411 Quadruple Linear VCA for Audio and CV diff --git a/data/hardware/frap-tools-bagai.yaml b/data/hardware/frap-tools-bagai.yaml new file mode 100644 index 000000000..eb536962d --- /dev/null +++ b/data/hardware/frap-tools-bagai.yaml @@ -0,0 +1,49 @@ +id: feH_FV2iwynopgewe4_5o +name: Bagài +manufacturer: frap-tools +primaryCategory: modular +categories: + - utility + - analog + - noise + - bit-crusher +capabilities: + - bit-crush +url: https://frap.tools/products/bagai/ +prices: + - amount: 250 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: Bagài is an analog sample and hold, bitcrusher, and downsampler for + Eurorack systems, also capable of generating clock bursts, fluctuating random + voltages, and colored noise. +details: |- + Bagài is an analog sample and hold, bitcrusher, and downsampler for Eurorack systems, also capable of generating clock bursts, fluctuating random voltages, and colored noise. It consists of six highly intertwined sections, and all its major parameters are voltage controllable. + + By default it outputs bipolar random voltages and triggers. The voltages are fluctuating, stepped, and quantized with selectable bit depth, and the clocks are straight, randomized, or burst. Once patching starts it can be used as a sample and hold, an audio downsampler, and a bitcrusher, with a sample rate of 48 kHz. + + Bagài features two stepped sample and hold circuits with open input, semi-normalled by default to an analog noise source. The quantized one has an LSB selector that defines its bit depth, from 1 to 8 bits, and with audio signals it becomes a warm bitcrusher with voltage-controllable bit depth. The internal clock can switch to an audio rate mode going up to 34 kHz, so patching audio into the sample and hold input turns the module into an analog downsampler. + + Besides the main, more-than and less-than modes, Bagài features a clock burst circuit that creates fast and unpredictable streams of gates, which can be combined with the main clock or with any other trigger. Both the main clock and the clock bursts can be controlled from external gates, and the main clock also carries a button to hold it manually. Many semi-normalled connections keep the signal path open for cross-patching. + + At Bagài's core is a thermal noise generator that feeds the sample and hold circuit, creating random voltage streams, and the noise output carries a knob that changes its color, emphasizing the high or low frequencies. Bagài belongs to the same family as Sapèl, with one clock generator and one fluctuating random voltage circuit where Sapèl has two of each, bipolar rather than unipolar voltages, and a burst section Sapèl does not have. +specs: |- + - Clock with straight and random outputs + - Analog noise generator with variable color + - Bipolar fluctuating random voltage generator with variable rate + - Sample and hold circuit with selectable time scale, slow for modulation or fast for audio sampling up to 48 kHz + - 8-bit quantized sample and hold with variable bit depth, 1 to 8 bits + - Clock burst section + - Clock range ~0.05 to 75 Hz, and ~0.025 to 34 kHz in audio rate mode + - Quantization: fixed source amplitude with variable bit depth + - Sample and hold source: built-in thermal noise or any external signal + - Random clocks: one section with simultaneous more-than, less-than and burst + - All major parameters are voltage controllable + - Bus-powered from the Eurorack case power header, with no power jack of its own +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual +videos: + - videoId: sIUMkv-tNlU diff --git a/data/hardware/frap-tools-brenso.yaml b/data/hardware/frap-tools-brenso.yaml new file mode 100644 index 000000000..ceae101a6 --- /dev/null +++ b/data/hardware/frap-tools-brenso.yaml @@ -0,0 +1,205 @@ +id: 3-Wgu5OyXiZrROUJnXXQn +name: Brenso +manufacturer: frap-tools +primaryCategory: synthesizer +categories: + - modular + - analog +capabilities: + - fm-synthesis + - ring-modulation +url: https://frap.tools/products/brenso/ +prices: + - amount: 550 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: BRENSO is Frap Tools' primary analog source of articulated + waveforms, a complex oscillator whose degree of entanglement can be precisely + set by the musician. It pairs two thru-zero triangle-core oscillators with a + timbre modulation section and a four-quadrant multiplier for amplitude or ring + modulation. +details: |- + BRENSO is Frap Tools' primary analog source of articulated waveforms, whose degree of entanglement can be precisely set by the musician. Its concept developed from a reflection on the meaning of the word complex, which comes from the Latin verb plector, literally 'to weave'. Rather than a pre-defined weft of controls and waveforms, BRENSO offers many threads to be woven together, for clarity, manageability and more sonic options. + + The module consists of three sections, two for sound generation (yellow and green) and one for sound processing (white and red). The generation sections give control over two triangle-core oscillators, which can be modulated and synced both internally and externally, and their frequency modulation can be any combination of exponential and linear through-zero. + + The processing section is composed of a Timbre Modulation section (white) and a final stage of Amplitude Modulation (red). The Timbre Modulation contains two parallel waveshapers with a PWM circuit, which are mixed with a crossfader and processed by a wavefolder. The wavefolder has symmetry control and can be pinged through a dedicated clock input with a shapeable, nonlinear behavior. + + A four-quadrant multiplier further modulates the timbre-modulated sound with the green oscillator's sine wave. It can perform amplitude modulation or ring modulation, and a crossfader defines the balance between the modulated and unmodulated signal. + + The Timbre section CV inputs are semi-normalled to a Timbre Modulation Bus, which is in turn semi-normalled to the green sine wave. Many other modulation destinations are semi-normalled to the other oscillator's sine wave, with attenuverters and attenuators for precise control, and every semi-normalization can be broken anywhere throughout the signal routing according to the musician's needs. +specs: |- + - Two analog thru-zero triangle-core oscillators, yellow and green, for tracking and response to audio-rate modulation + - Independent FM circuit per oscillator, with exponential and linear thru-zero FM set independently and FM Deviation on two separate knobs or CV inputs + - Green oscillator can run at sub-audio rate and act as a complex LFO + - Coarse Frequency Lock button per oscillator, which freezes the Coarse knob while the Fine knob stays available for small adjustments + - Eight waveform outputs: sine, triangle, square and sawtooth from the green oscillator, and sine, triangle, a selectable square or shaped square and a Final output from the yellow one + - Timbre Modulation section with two parallel waveshapers, a PWM circuit, a crossfader and a wavefolder with symmetry control + - Pingable wavefolder: an external trig opens the fold above its maximum level, then closes it with a manually adjustable non-linear slope for percussive tones with an organic decay + - Dedicated VCA sets the global amount of modulation reaching each parameter section, with the green oscillator as the default modulator + - Four-quadrant multiplier performing amplitude or ring modulation against the green oscillator's sine wave, with a crossfader between modulated and unmodulated signal + - Two sync modes: Lock Sync removes unwanted beating and preserves tracking, Flip Sync reverts the synchronized oscillator's direction on the rising edge without forced restarts + - Semi-normalled modulation routing throughout, with attenuverters and attenuators, and every semi-normalization breakable by patching + - Eurorack module, bus-powered from the case's power header, with no power jack of its own +io: + - key: 6lrQ2lLO + name: Yellow Oscillator 1V/oct Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: uZJG7fUZ + name: Yellow Oscillator FM Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: dLDkqPNi + name: Yellow Oscillator Exponential FM Deviation CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: UDhvniaM + name: Yellow Oscillator Linear Through-Zero FM Deviation CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: r2kajvFf + name: Yellow Oscillator Sync Input + signalFlow: input + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: fVZBrmdq + name: Green Oscillator 1V/oct Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: bGfFXxZI + name: Green Oscillator FM Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 01LjjbmR + name: Green Oscillator Exponential FM Deviation CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: HzaYeLNx + name: Green Oscillator Linear Through-Zero FM Deviation CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 6vAqwTcF + name: Green Oscillator Sync Input + signalFlow: input + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: OHOhoxmm + name: Timbre Modulation Bus Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: LXQzQWwI + name: Wavefolder Ping Input + signalFlow: input + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 3dRjYzqh + name: Green Oscillator Sine Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: pqveGsVX + name: Green Oscillator Triangle Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: wZgGwJKj + name: Green Oscillator Square Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: YsCgAeF8 + name: Green Oscillator Sawtooth Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: ahqch6jt + name: Yellow Oscillator Sine Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: q6QpgKuu + name: Yellow Oscillator Triangle Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: MkDq8wzA + name: Yellow Oscillator Square or Shaped Square Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: OZjWM0pd + name: Final Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top diff --git a/data/hardware/frap-tools-cunsa.yaml b/data/hardware/frap-tools-cunsa.yaml new file mode 100644 index 000000000..742a4e726 --- /dev/null +++ b/data/hardware/frap-tools-cunsa.yaml @@ -0,0 +1,403 @@ +id: ehwKdmZW4huPH-q6yzba5 +name: CUNSA +manufacturer: frap-tools +primaryCategory: filter +categories: + - modular + - analog +capabilities: + - filter + - saturation + - distortion +url: https://frap.tools/products/cunsa/ +prices: + - amount: 850 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: CUNSA is a quadruple analog pingable multimode resonant filter, + saturator, mixer and oscillator. Each of its four state-variable filters gives + lowpass, bandpass and highpass simultaneously, with a Character circuit for + feedback and saturation, and the four can be used independently or linked + through seminormalizations. +details: |- + CUNSA is a quadruple analog pingable multimode resonant filter, saturator, mixer and oscillator. It is Frap Tools' sound seasoning tool, able to gently even out a patch with a final touch or to set it on fire with a ridiculous amount of spice. It consists of four multimode resonant filters with a custom saturation and feedback control, usable independently or in various combinations and roles thanks to a series of seminormalizations. + + The four state-variable filters each provide three behaviors simultaneously: lowpass, bandpass and highpass. Every behavior has a 12 dB/oct slope, except the lowpass, which can be switched between 12 and 24 dB/oct. Beyond the usual Q control that emphasizes the cutoff frequency, the Character circuit defines the amount of soft clipping when the filter overloads: high clipping gives a controlled behavior with a fat tone and pure resonance, while low or no clipping lets the signal saturate the filter stages and scream. + + Each filter responds to a V/oct signal with close tracking, so the cutoff frequency can follow a melody, or the filter can be made to resonate with no input at all and turn CUNSA into a multiple oscillator. The AC-coupled Ping circuit responds to incoming gates with a selectable decay curve, creating natural decay sounds from trigs or smoother envelopes from any other voltage, like a linear integrator with a custom decay. Feeding the audio input with trigs at high Q settings makes the filter ring. + + The four filters can work independently or be arranged in groups through seminormalled inputs and sum outputs, so CUNSA can be a 4x1, a 2x2 or a single 1x4 filter, as well as odd configurations such as 1+2+1 or 3+1, for mono, stereo or quadraphonic audio. Four input types carry a cascaded seminormalization, audio, VCA CV, V/oct and Ping, so a signal patched to one filter also feeds those to its right, and patching a dummy cable removes the seminormalization. + + Every filter output can be routed to an analog mix bus that sums the four filters and presents them in three combinations, all, 1+2 and 3+4, with a gentle shelving EQ on the higher frequencies of the All output for extra timbral variety. When the filter behavior is set to COMBINED, cutoff frequency control also acts on the input VCA, reducing amplitude and saturation as it approaches the lowest range. Besides the seminormalled inputs, every filter carries additional CV inputs for cutoff frequency, Q and Character, each with a dedicated attenuverter. +specs: |- + - Four analog state-variable multimode filters, usable independently or linked and mixed + - Lowpass, bandpass and highpass available simultaneously per filter, at 12 dB/oct, with the lowpass switchable to 24 dB/oct + - Character circuit sets the amount of soft clipping on filter overload, from controlled fat resonance to full saturation of the filter stages + - V/oct tracking on every filter, so the bank can resonate with no input and act as a quadruple oscillator + - V/oct inputs seminormalled so one CV can control several filters + - AC-coupled Ping circuit with selectable decay curve, responding to gates for natural decays or to any other voltage like a linear integrator + - Audio inputs fed with trigs ring the filter at high Q settings + - Group configurations of 4x1, 2x2 and 1x4, plus odd splits such as 1+2+1 and 3+1, for mono, stereo or quadraphonic audio + - COMBINED filter behavior links cutoff control to the input VCA, reducing amplitude and saturation toward the low range + - Cascaded seminormalization on four input types (audio, VCA CV, V/oct and Ping), removed by patching a dummy cable + - Analog mix bus with All, 1+2 and 3+4 outputs, plus a gentle high-frequency shelving EQ on the All output + - Additional CV inputs for cutoff frequency, Q and Character on every filter, each with its own attenuverter + - Dimensions as listed by the maker: 15.6 x 23.6 x 6 cm + - Eurorack module, bus-powered from the case's power header, with no power jack of its own +io: + - key: taWiokHn + name: Filter 1 Audio Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: mRgGSUfc + name: Filter 1 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: IEM4szg8 + name: Filter 1 V/oct Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: UXwhSccc + name: Filter 1 Ping Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: mPi045bQ + name: Filter 1 Cutoff Frequency CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: DbGERJo9 + name: Filter 1 Q CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: GsrWoTUa + name: Filter 1 Character CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 8qacivjK + name: Filter 1 Lowpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 8ctBoFL2 + name: Filter 1 Bandpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: AIN8P72R + name: Filter 1 Highpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: AQSmkqaa + name: Filter 2 Audio Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: GwgfV2bS + name: Filter 2 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: x1TuafmL + name: Filter 2 V/oct Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: CowIudKL + name: Filter 2 Ping Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: qjfadqFg + name: Filter 2 Cutoff Frequency CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: FkJg0Sgy + name: Filter 2 Q CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 4jV67Moa + name: Filter 2 Character CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: MmKSgjXX + name: Filter 2 Lowpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: d1eq8Liw + name: Filter 2 Bandpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: SqLOdwaP + name: Filter 2 Highpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: mUfDAkFF + name: Filter 3 Audio Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 44tgTBZp + name: Filter 3 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: v8sEBMYc + name: Filter 3 V/oct Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: WGqzW4iA + name: Filter 3 Ping Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: KAn8EWSK + name: Filter 3 Cutoff Frequency CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: EpmDGeyT + name: Filter 3 Q CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: Ve0yC40e + name: Filter 3 Character CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: wHDFBhtp + name: Filter 3 Lowpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: hxHsbF9K + name: Filter 3 Bandpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: EYvC2kOk + name: Filter 3 Highpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: UkuQ5HTL + name: Filter 4 Audio Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: cjnsMqxc + name: Filter 4 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: zuCadFmt + name: Filter 4 V/oct Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 9jEn0Hom + name: Filter 4 Ping Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: PMOqq55b + name: Filter 4 Cutoff Frequency CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: VRwUmCp2 + name: Filter 4 Q CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: SAjtKC1G + name: Filter 4 Character CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: QaSci1TH + name: Filter 4 Lowpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: ONJ3ZJbC + name: Filter 4 Bandpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: KzWKJIQL + name: Filter 4 Highpass Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: nhr3Bswa + name: Mix Bus All Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 0jRe5Wif + name: Mix Bus 1+2 Group Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: hko2iqKp + name: Mix Bus 3+4 Group Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: dRy0Utpt + name: Dry Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top +videos: + - provider: youtube + videoId: V_bplfUqtxU diff --git a/data/hardware/frap-tools-dynamics-2806.yaml b/data/hardware/frap-tools-dynamics-2806.yaml new file mode 100644 index 000000000..78c866334 --- /dev/null +++ b/data/hardware/frap-tools-dynamics-2806.yaml @@ -0,0 +1,64 @@ +id: xoinlC3syzEjOnyqQR7sx +name: Dynamics 2806 +manufacturer: frap-tools +primaryCategory: compressor +categories: + - dynamics + - expander + - outboard + - analog +capabilities: + - compression + - expansion + - transient-shaping + - de-essing +url: https://frap.tools/products/dynamics-2806/ +prices: + - amount: 1115 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The Dynamics 2806 is a single-VCA mono expander and compressor for + the 500-series format, designed to handle a wide dynamic gamut in the most + straightforward way. Its independent compressor and expander sidechains both + work over that one VCA, with filtering, two sets of time constants and an + external sidechain input. +details: |- + The Dynamics 2806 is a single-VCA mono expander and compressor for the 500-series format, built to handle a wide dynamic gamut in the most straightforward way. The compressor reduces gain above a threshold and so narrows the dynamic range; the expander reduces gain below a threshold and so widens it, the behaviour usually called downward expansion. + + The two circuits are independent. In each, the signal feeds a filter set and then an envelope follower, and the resulting control voltage feeds two integrators whose time constants generate two independent sidechains, both acting on the same VCA level. Keeping one VCA stage in the path is a deliberate choice: fewer gain cells mean fewer causes of sound deterioration and a light, responsive architecture. + + The sidechains differ by design. The expander's monitors the VCA input, making it feed-forward, while the compressor's monitors the VCA output, making it feedback, and a switch moves that feedback point pre- or post-makeup for more control over the makeup gain. Both sections can work at once, and the Priority switch lets the expander act only while the compressor is not reducing gain. Two sets of compressor time constants are available, the default sharp and precise, the Classic mode more coloured with audible pumping but less harmonic distortion. The unit is also calibrated to follow the articulation of the incoming sound, moving faster with fast sources and slower with slow ones. + + A versatile sidechain circuit takes a second input that can drive either section, and can be summed with the internal sidechain when routed to the compressor. The signal feeding both detectors is always filtered, the expander through a low-pass and a high-pass and the compressor through the Contour shelf that attenuates the low end, and the Listen switch monitors either sidechain so the filtering can be set by ear. Switched off, the module offers a hard bypass through a relay or an off mode that keeps the signal in the circuit with no active modulation, which retains the VCA's colour. + + The output stage is a discrete current stage feeding a Lundahl LL1585 transformer. Unnecessary decoupling capacitors are left out, with high-end capacitors on the inputs and insert outputs to protect the circuit against a wrong connection such as phantom power or a source with DC offset, and every section runs behind active filter stages on its power rails, which is also part of the maker's stated aim of easy maintenance and a long service life. +specs: |- + - Mono expander and compressor sharing a single VCA stage + - Feed-forward expander sidechain from the VCA input, feedback compressor sidechain from the VCA output, switchable pre- or post-makeup + - Compressor and expander usable at the same time, with a Priority switch that gives the compressor precedence + - Two sets of compressor time constants, a precise default and a Classic mode + - Sidechain input that can drive either section, summable with the internal sidechain on the compressor + - Sidechain filtering: low-pass and high-pass on the expander, Contour shelf on the compressor + - Listen switch to monitor either sidechain + - Hard relay bypass or an off mode that keeps the signal in the circuit + - Lundahl LL1585 output transformer fed by a discrete output current stage + - High-end capacitors on inputs and insert outputs to guard against phantom power or a DC-offset source + - Active filter stages on the power rails of every section + - 500-series format module: audio I/O and power come from the host 500-series rack +io: + - key: HK0Puzb6 + name: 500 Series Rack Connector (audio I/O and power) + signalFlow: bidirectional + category: power + type: power + connection: edac + maxConnections: 1 + position: Right +links: + - url: https://frap.tools/docs/Manual_Dynamics_2806.pdf + type: resource + title: Manual +videos: + - provider: youtube + videoId: FrR3R6913Hg diff --git a/data/hardware/frap-tools-falistri.yaml b/data/hardware/frap-tools-falistri.yaml new file mode 100644 index 000000000..d7f3717f0 --- /dev/null +++ b/data/hardware/frap-tools-falistri.yaml @@ -0,0 +1,239 @@ +id: nTcIhCjkYScgRgIaouLU3 +name: Falistri +manufacturer: frap-tools +primaryCategory: utility +categories: + - modular + - analog +capabilities: + - ring-modulation + - subharmonic-synthesis +url: https://frap.tools/products/falistri/ +prices: + - amount: 390 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: FALISTRI is a fully analog multipurpose movement manager designed + to generate and edit voltages for any patch. Two identical function generators + fill the upper two thirds of the panel, while the lower third holds a dual + cascaded frequency divider, a linear slew limiter and a four-quadrant + multiplier. +details: |- + FALISTRI is a fully analog multipurpose movement manager designed to generate and edit voltages to easily accomplish any patch. The module divides into two big parts: the upper two thirds of the panel hold two specular function generators, while the lower third is composed of a dual cascaded frequency divider, a linear slew limiter and a four-quadrant multiplier. + + The two generators are identical, with the same controls and the same set of outputs, and a Time Scale switch swaps each one from LFO to oscillator range with close tracking. The shape morphs freely from logarithmic to linear to exponential without changing the time needed to complete the rise or the fall, so an envelope keeps its duration as its curve changes and an oscillator keeps its frequency as its waveform changes. Rise and fall can take different shapes, for a logarithmic rise with a logarithmic fall, a linear attack with a logarithmic fall, or any other combination of the three modes. + + Envelopes can be fired by an external trig or gate or by the built-in trig buttons, which can also override incoming gates and hold an envelope high. Each function works in three voltage-selectable play modes: Loop, where the envelope retrigs itself and becomes an LFO or an oscillator, Transient, an attack-release envelope with no sustain and no gate information, and Sustained, an attack-hold-release envelope whose duration depends on the gate length. A gate input switches automatically from Transient or Sustained to Loop. + + The two sections can be connected for complex envelopes or waveforms. In Quadrature mode the end of the yellow rise triggers the start of the green rise, the end of the green rise triggers the start of the yellow fall, and the end of the yellow fall triggers the start of the green fall, which at audio rate gives a kind of trapezoid oscillator. Each generator has five outputs, unipolar 0V to +10V, bipolar -5V to +5V, attenuverted -10V to 0 to +10V, an End of Rise gate and an End of Fall gate, and an additional Max output works as an analog OR that puts out the highest voltage currently generated by the two envelopes. + + The lower third adds three utilities. Two semi-normalled cascaded frequency dividers, or flip-flops, turn a gate patched to the first input into gate streams at half and a quarter of its frequency, generate sub octaves from audio-rate signals, and can be used independently by patching two separate signals. The four-quadrant multiplier works as a bipolar DC-coupled linear VCA for amplitude modulation, ring modulation and voltage processing or scaling, and is semi-normalled by default to the green bipolar output and the yellow unipolar output, so FALISTRI can act as a stand-alone synth voice. The linear slew limiter smooths any voltage transition for a classic portamento or glide, with independent rise and fall controls, and can serve as a rudimentary third AR envelope. +specs: |- + - Two identical analog function generators, usable as envelopes, LFOs or oscillators, with a Time Scale switch to swap from LFO to oscillator range + - Shape morphs freely from logarithmic to linear to exponential without changing the rise or fall time, so an envelope keeps its duration and an oscillator its frequency + - Exclusive shape per stage, so rise and fall can take any combination of the three modes + - Trig buttons fire the envelopes by hand and can override incoming gates to hold an envelope high + - Three voltage-selectable play modes: Loop, where the envelope retrigs itself and becomes an LFO or an oscillator, Transient, an attack-release envelope with no sustain and no gate information, and Sustained, an attack-hold-release envelope whose duration depends on the gate length + - A gate input switches automatically from Transient or Sustained to Loop + - Quadrature mode chains the generators: the end of the yellow rise starts the green rise, the end of the green rise starts the yellow fall, and the end of the yellow fall starts the green fall + - Five outputs per generator: unipolar 0V to +10V, bipolar -5V to +5V, attenuverted -10V to 0 to +10V, End of Rise gate and End of Fall gate + - Max output acts as an analog OR, putting out the highest voltage currently generated by the two envelopes + - Two semi-normalled cascaded frequency dividers (flip-flops) giving gate streams at half and a quarter frequency, or sub octaves from audio-rate signals, and usable independently + - Four-quadrant multiplier working as a bipolar DC-coupled linear VCA for AM, RM and voltage processing or scaling, semi-normalled to the green bipolar and yellow unipolar outputs so the module can be a stand-alone synth voice + - Linear slew limiter with independent rise and fall controls, for portamento and glide or as a rudimentary third AR envelope + - Weight 0.365 kg, dimensions as listed by the maker: 15.6 x 11.7 x 6 cm + - Eurorack module, bus-powered from the case's power header, with no power jack of its own +io: + - key: r8H20YrS + name: Yellow Generator Trig/Gate Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: f6PPV5cH + name: Yellow Generator Play Mode Gate Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: NA9bRhKK + name: Yellow Generator Unipolar Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: mbzMv5l9 + name: Yellow Generator Bipolar Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: YsoQ9hhX + name: Yellow Generator Attenuverted Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: s42j2p4Z + name: Yellow Generator End of Rise Gate Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: TuEM6qr2 + name: Yellow Generator End of Fall Gate Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: kHqlJH4i + name: Green Generator Trig/Gate Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: QJVC2Y9o + name: Green Generator Play Mode Gate Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: jV5m1oXO + name: Green Generator Unipolar Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: y7CNrTbL + name: Green Generator Bipolar Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: PWpxolnU + name: Green Generator Attenuverted Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: aNjwFoUs + name: Green Generator End of Rise Gate Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: csC4c8ft + name: Green Generator End of Fall Gate Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: zd2ZwCxd + name: Max Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: NJwkLdzm + name: Frequency Divider 1 Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 0iPPUE3Q + name: Frequency Divider 1 Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: F2w3DAVT + name: Frequency Divider 2 Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: gNJj3SHD + name: Frequency Divider 2 Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: raWqGCfG + name: Four-Quadrant Multiplier Input X + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: z2gYIXfO + name: Four-Quadrant Multiplier Input Y + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: CNaaLLzh + name: Four-Quadrant Multiplier Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 9lCFvbVU + name: Slew Limiter Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 6BFT6aJg + name: Slew Limiter Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom diff --git a/data/hardware/frap-tools-fumana.yaml b/data/hardware/frap-tools-fumana.yaml new file mode 100644 index 000000000..a0b31d84d --- /dev/null +++ b/data/hardware/frap-tools-fumana.yaml @@ -0,0 +1,534 @@ +id: OgGUQofvuOvkWCKzmbhxE +name: Fumana +manufacturer: frap-tools +primaryCategory: filter +categories: + - modular + - analog + - vocoder +capabilities: + - filter + - equalization + - vocoder +url: https://frap.tools/products/fumana/ +prices: + - amount: 850 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: FUMANA is a dual all-analog fixed filter bank built from two arrays + of sixteen bandpass filters, one that processes a sound and one that analyses + it. Sixteen voltage-controllable faders, per-band envelope followers and + global parametric controls let it work as a spectral editor or as a + sixteen-band vocoder. +details: |- + FUMANA is a dual all-analog fixed filter bank. Each filter bank is composed of an array of 16 independent bandpass filters tuned to specific frequencies. It is built around one basic core principle: modify the spectral content of an incoming audio signal by filtering it through 16 bandpass filters in parallel, then vary the amplitude of each resulting band. + + Simple as that principle is, the key feature of FUMANA is the breadth of control it offers over the bands' amplitude. The spectrum of the incoming sound can be modified by the faders, which are individually CV-controllable, by the envelope followers generated from the analysis of the sound patched into the Modulation input, and by global parametric controls such as Tilt and Scan. + + The two arrays serve different jobs. The first, with 48 dB/oct filters, is the colorful processing path for the incoming sound, while the second, with 36 dB/oct filters, analyzes a sound and extracts sixteen envelopes for spectral transferring. Four voltage-controlled functions, Tilt, Peak/Notch, Center and Width, animate the timbre above the sixteen individual faders. + + A flexible input and output routing lets the musician split the 16 filters into two 8-band spectral processors by grouping the odd and even bands separately. Two semi-normalled inputs make it possible to process two independent signals, to blend two signals into a single All output, to route one signal's odd and even bands to two different points of a patch for a stereo spread, or to perform two different treatments of the same signal and send each to its own output section. + + Because the parallel analysis array covers all sixteen bands, FUMANA performs spectral transferring and vocoding over the whole spectrum, or two simultaneous eight-band vocoding operations using different sounds for the odd and even bands. Attack and release times of the spectral transferring are set independently, and individual outputs are available for each band, both for the Main filtered sound and for the Mod envelopes, so analysis bands can be re-routed to synthesis bands by hand as in classic analog vocoders. A global Envelope Follower output drives external ducking or other parallel processing, and a dedicated input for an external noise source supplies fricative and sibilant sounds. +specs: |- + - Two arrays of sixteen analog bandpass filters: 48 dB/oct for processing the sound and 36 dB/oct for analysing it + - Sixteen faders set each band's amplitude and are individually voltage-controllable + - Four voltage-controlled global functions: Tilt, Peak/Notch, Center and Width + - Two semi-normalled inputs split the sixteen filters into odd and even eight-band spectral editors + - Odd and even grouping allows two sounds merged to a single All output, one sound split to two points of a patch for stereo spread, or two separate sounds with independent routing + - Spectral transferring and vocoding across all sixteen bands, or two eight-band vocoding operations at once on the odd and even bands + - Independent attack and release control over the spectral transferring + - Individual outputs for every band, for the Main filtered sound and for the Mod envelopes, so analysis bands can be re-routed to synthesis bands by hand + - Global Envelope Follower output for external ducking or parallel processing + - Dedicated external noise input for fricative and sibilant sounds + - Eurorack module, bus-powered from the case's power header, with no power jack of its own +io: + - key: 2IThL5Sj + name: Odd Bands Audio Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: ZgaC23v4 + name: Even Bands Audio Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: LRHKxkkr + name: Odd Bands Modulation Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: bt38bsov + name: Even Bands Modulation Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 6KVdBF6Y + name: External Noise Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 8MvWp8mC + name: Tilt CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: IA5ULmdY + name: Peak/Notch CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: sgFGtSlI + name: Center CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: auxmdR6O + name: Width CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: cgfAE851 + name: Band 1 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: wACfxGvB + name: Band 2 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: ynl5OVeY + name: Band 3 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: rdh6ayXf + name: Band 4 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: uf732SEJ + name: Band 5 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: JLaeUeV4 + name: Band 6 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: v6gGvwRG + name: Band 7 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: YrloAKDh + name: Band 8 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: bUIiqpsY + name: Band 9 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 2MAvPutP + name: Band 10 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: a4fT2cQ2 + name: Band 11 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: dcwxmpNo + name: Band 12 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 59t2YpkW + name: Band 13 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: nxbhMysl + name: Band 14 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 3b2jG5NF + name: Band 15 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: NdxMpnlI + name: Band 16 Fader CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: LikcO60L + name: Band 1 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 2W2eyjJb + name: Band 2 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: xHhwxG5D + name: Band 3 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: apgJ2VHt + name: Band 4 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: r3Iu6oqT + name: Band 5 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 0oV4ivVG + name: Band 6 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: PFNhlWoi + name: Band 7 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 9SQetS1m + name: Band 8 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: hTS5oWwf + name: Band 9 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: tiySqsN3 + name: Band 10 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: C3dLAKBl + name: Band 11 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: YrMJbvwU + name: Band 12 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 0cSmPg7q + name: Band 13 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: jSLnJHrE + name: Band 14 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: r0f80638 + name: Band 15 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: c66ubwMF + name: Band 16 Main Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: BXwVR1T1 + name: Band 1 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: dOAawDlH + name: Band 2 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: MQZGpuVM + name: Band 3 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: yVTUMvG7 + name: Band 4 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: GxDicMB9 + name: Band 5 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: ZfTVBpTE + name: Band 6 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: jAx6ZV0l + name: Band 7 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: rOoEoaqN + name: Band 8 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: uDeQzbWi + name: Band 9 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 4eI7uwNd + name: Band 10 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: SLn0AmgE + name: Band 11 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: ZlzD3Zzq + name: Band 12 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: 49Gxukle + name: Band 13 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: CR1Hqly7 + name: Band 14 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: zu2UViXY + name: Band 15 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: EWzvxeGI + name: Band 16 Mod Envelope Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: GfrGwcQP + name: All Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: gm3qkLuj + name: Odd Bands Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: i8BFmaf2 + name: Even Bands Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Top + - key: HLmvUTPK + name: Global Envelope Follower Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Top diff --git a/data/hardware/frap-tools-g.yaml b/data/hardware/frap-tools-g.yaml new file mode 100644 index 000000000..0d6c3d70b --- /dev/null +++ b/data/hardware/frap-tools-g.yaml @@ -0,0 +1,126 @@ +id: rylUdCcdFs5z-Wnh_qz1x +name: G Group +manufacturer: frap-tools +primaryCategory: mixer +categories: + - modular +capabilities: + - saturation + - distortion +url: https://frap.tools/products/g/ +prices: + - amount: 175 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: "The G is the group module of the CGM Creative Mixer: a stereo + module that blends the signals of up to eight channel modules linked to it and + manages their routing. It puts into practice the volume, effect send and + panning settings made on the channels, and its stereo outputs carry either the + local sum or the wet signal alone." +details: |- + The group is the first section of the CGM Creative Mixer that actually mixes: it blends the signals of the channel modules linked to it, up to eight of either kind, and puts into practice all the information their controls define, meaning volume, effect send volume and stereo panning. It then routes the channels' sum on to a master module when one is present. + + The panel is laid out in three sections, the amplitude controls in white and the two effect send and return circuits in yellow and green. A front-panel switch defines what the group outputs carry: either the sum of all the channels plus their effect returns, or the wet signal alone. The first setting suits a smaller system, where the group is the last stage in the audio chain and no master is needed, while the second opens up parallel effect processing or multitrack recording alongside a master. + + Each of the two effect circuits pairs an independent monophonic output, carrying the sum of every channel's send level, with a stereo input for the return. A CV input over each stereo return level automates the effect section for gated reverbs and similar treatments, or turns a return into an auxiliary stereo channel. + + The mute button takes the group out of the master sum with a click and deliberately leaves the local outputs alone: in a small system where the group is the output module that prevents an accidental mute, and in a large one it keeps the local outputs live for parallel processing. The Safe Solo switch recalls a scene of channels prepared with their own solo-in-place controls, working as a mute group, and the PFL button sends the group to the master's pre-fader listening section so it can be auditioned while muted or with the fader down. + + Two peak LEDs show when the group is clipping, and clipping is also a sound on offer here rather than only a fault: pushed on purpose the group gives either a creamy saturation or a marked distortion. +specs: |- + - Mixes up to eight CGM channel modules of either kind + - Stereo local outputs, switchable on the front panel between the post-fader local mix with FX returns and the wet signal alone + - Two effect circuits, each a mono send and a stereo return + - Two CV inputs over the stereo FX return levels + - Electronic latching mute and PFL, mechanical Safe Solo switch + - Two peak LEDs on the group bus + - 12 mm fader knob + - Links to channel and master modules through the CGM Link System 10-pole IDC pin headers on the back, which carry audio, power and controls + - Powered by a connected channel module through the CGM Link System, with no power jack of its own + - Ships with a one-group-to-two-channels Link System cable +io: + - key: WgbBQxEX + name: FX Send Yellow + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 8Sy2k2Oq + name: FX Send Green + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: cLWqkkpM + name: FX Return Yellow Left + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: SJvO6roH + name: FX Return Yellow Right + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: ee0VFfaZ + name: FX Return Green Left + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: fAwTNxz7 + name: FX Return Green Right + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: tGBJnPXs + name: FX Return Yellow Level CV + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: QYiReZqW + name: FX Return Green Level CV + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: zyI0eMEq + name: Group Output Left + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: alZyIZPt + name: Group Output Right + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual diff --git a/data/hardware/frap-tools-i.yaml b/data/hardware/frap-tools-i.yaml new file mode 100644 index 000000000..a6c6d6141 --- /dev/null +++ b/data/hardware/frap-tools-i.yaml @@ -0,0 +1,111 @@ +id: j8gN-G-51WQT2PgosB379 +name: I Insert +manufacturer: frap-tools +primaryCategory: utility +categories: + - modular + - routing +url: https://frap.tools/products/i/ +prices: + - amount: 120 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The insert module connects stereo effects to a CGM setup, either + inserted between two points of the internal summing bus or placed in parallel + as a stereo send and return. It carries two couples of outputs and inputs with + their own gain switches, the first being the insert circuit and the second the + parallel one. +details: |- + The insert module is a break in the CGM stereo sum. It lets stereo effects be patched into the mixer, either by inserting them between two points of the internal summing bus or by hanging them off it in parallel, as in a rudimentary stereo send and return. + + It consists of two couples of outputs and inputs, each couple stereo and each with its own gain switches. The first couple is the insert circuit, which overrides the internal summing bus and routes whatever sum arrives at the module out through an external effect and back. The second stays parallel to the main sum, which suits stereo ambience effects that should sit alongside the dry signal rather than replace it. + + Placement is the point of the module. It can sit between a group and a master as an end-of-chain bus, between two groups, between a channel and a group, between two channels, or between a channel and a master with no group in between. Put between two series of channels on the same group it creates a channel subgroup with independent solo-in-place controls. + + The gain switches on the outputs and inputs offer three degrees of attenuation with matching amplification, so the module can scale the CGM's internal level to most outboard audio equipment and back again. The module ships with two insert cables that fit every member of the CGM family, including the ones no longer made. +specs: |- + - Two stereo couples of outputs and inputs, the first the insert circuit and the second a parallel send and return + - The insert circuit overrides the internal CGM summing bus + - Gain switches on outputs and inputs give three degrees of attenuation with matching amplification + - Can be placed between a group and a master, two groups, a channel and a group, two channels, or a channel and a master with no group + - Ships with two insert cables compatible with every member of the CGM family + - Bus-powered from the Eurorack case through its power header, with no power jack of its own + - Weight 0.138 kg +io: + - key: VZ2IRtLe + name: Insert Send Left + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: FEMGgcTD + name: Insert Send Right + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: jv2Dc4Mw + name: Insert Return Left + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: NMDkaW5x + name: Insert Return Right + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: eR301KX9 + name: Parallel Send Left + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: og6dattN + name: Parallel Send Right + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: lyTjDwZx + name: Parallel Return Left + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: T4ienoMP + name: Parallel Return Right + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: DCbEySfH + name: Eurorack Bus Power Header + signalFlow: input + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Bottom +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual diff --git a/data/hardware/frap-tools-mone.yaml b/data/hardware/frap-tools-mone.yaml new file mode 100644 index 000000000..36c2ce81f --- /dev/null +++ b/data/hardware/frap-tools-mone.yaml @@ -0,0 +1,92 @@ +id: 29MYCfKZihKUzvjtLtTJO +name: MONE +manufacturer: frap-tools +primaryCategory: mixer +categories: + - modular + - utility +url: https://frap.tools/products/mone/ +prices: + - amount: 265 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The Masterone is a Eurorack master output module designed to be + connected exclusively to non-Eurorack equipment, with four separate output + sections on Neutrik connectors and adjustable gain levels. It carries balanced + XLR stereo outputs, pseudo-balanced 1/4 inch TRS stereo and mono outputs, a + headphone output and a 12-LED VU meter. +details: |- + The Masterone is the first Frap Tools module designed to be connected exclusively with non-Eurorack equipment. It features four separate output sections with different Neutrik connectors and adjustable gain levels to suit the most common live and studio situations. With no inputs and just large-format outputs, it pushes further the concept behind the M module of being a Eurorack system's gateway to the outside world. + + Two XLR connectors, left and right, provide a balanced output with the expected 6 dB of extra gain, which in many cases allows a DI box to be bypassed. A second pair of outputs on large 1/4 inch jacks works on the same principle as the ones on the M module: standard TS cables can be patched to use them as unbalanced outputs, or TRS cables can interface them with balanced equipment, with the ground routed to both the ring and the sleeve for better performance than a regular unbalanced output. + + If the two stereo outputs are too hot, a set of switches attenuates them. The Line/Mic switch on the XLR outputs attenuates by about 30 dB, while the Line/Inst switch on the TRS outputs attenuates by about 15 dB. + + The Headphones section monitors the Master output with an independent volume knob while keeping access to the PFL function on the Channel and Group modules: rotating the PFL crossfader towards the blue section blends the PFL modules with the Master sum. An auxiliary monophonic output covers an extra stage monitor or a whole system running through a vintage amp for parallel processing, providing the sum of both channels on a pseudo-balanced output with a dedicated fader that attenuates the line level by 15 dB or amplifies it by 6 dB. + + A 12-LED VU meter per channel monitors signal amplitude from -40 dB to +15 dB, with peak memory held on the upper LEDs. Compared with the M module, the Masterone adds the balanced XLR pair, the pseudo-balanced mono output with its own fader, large-format 1/4 inch connectors in place of 3.5 mm, the Line/Mic and Line/Inst attenuation options and a latching PFL crossfader, and it drops the M module's auxiliary input. +specs: |- + - Four separate output sections on Neutrik connectors, with no inputs + - Balanced stereo XLR outputs, left and right, with 6 dB extra gain + - Pseudo-balanced 1/4 inch TRS stereo outputs, with ground routed to both ring and sleeve + - Line/Mic switch attenuating the XLR outputs by about 30 dB + - Line/Inst switch attenuating the TRS outputs by about 15 dB + - Stereo headphone output on 1/4 inch TRS with an independent volume knob and PFL blending + - Auxiliary pseudo-balanced mono 1/4 inch TRS output summing both channels, with a dedicated fader for 15 dB attenuation or 6 dB gain + - 2 x 12-LED VU meter covering -40 dB to +15 dB, with peak memory + - Latching PFL crossfader and a 20 mm fader knob + - Bus-powered from the Eurorack case power bus, with no power jack of its own +io: + - key: lV1pew1e + name: Balanced Output L + signalFlow: output + category: audio + type: line + connection: xlr + maxConnections: 1 + position: Bottom + - key: NcOLD8UO + name: Balanced Output R + signalFlow: output + category: audio + type: line + connection: xlr + maxConnections: 1 + position: Bottom + - key: mpLx68e4 + name: Pseudo-Balanced Output L + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Bottom + - key: iOqh2SCF + name: Pseudo-Balanced Output R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Bottom + - key: WXk5kMyU + name: Pseudo-Balanced Mono Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Bottom + - key: 3cR9WKEm + name: Headphones Output + signalFlow: output + category: audio + type: headphone + connection: 1/4-inch + maxConnections: 1 + position: Bottom +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual diff --git a/data/hardware/frap-tools-plus.yaml b/data/hardware/frap-tools-plus.yaml new file mode 100644 index 000000000..c5d1a0400 --- /dev/null +++ b/data/hardware/frap-tools-plus.yaml @@ -0,0 +1,33 @@ +id: kmOjJ2kB6L4wF2T9DJCra +name: PLUS Case +manufacturer: frap-tools +primaryCategory: modular +url: https://frap.tools/products/plus/ +description: The PLUS is the first modular-modular case for Eurorack + synthesizers, built of 42-HP units that can be assembled together in almost + infinite configurations. Its flexible architecture lets the case grow or + shrink with the system it hosts. +details: |- + The PLUS is the first modular-modular case for Eurorack synthesizers. It is built of practical 42-HP units that can be assembled together in almost infinite configurations. + + A modular synthesizer is a liquid instrument: it does not have a fixed shape, it is molded by the musician's needs and by the case it is mounted in, and it can change over time. One of the struggles of modular synthesists is that their case may become too small or too large for the instrument they have in mind. PLUS was designed to solve this problem, growing or shrinking according to the shape of the modular synthesizer it hosts. + + Problem-solving was not the only reason behind PLUS. It is also designed to be solid and elegant, through extruded aluminum pieces joined together with no visible screws. All the screws and joints sit inside the case, leaving the exterior a neat material surface. The Row Extension units are single-body extruded-aluminum profiles that host modules up to 43 mm deep, and the sides can be made of premium wood or extruded aluminum. + + Four parts can compose a PLUS case: two kinds of units, which are the main body of the case, and the sides that close it. A PLUS case can only be used once it is closed by its sides, because using an open case may damage the modules and voids the warranty. +specs: |- + - Modular case system for Eurorack, built from 42-HP units + - Row Extension units are single-body extruded-aluminum profiles + - Hosts modules up to 43 mm deep + - Sides available in premium wood or extruded aluminum + - Screws and joints are internal, so no fixings are visible on the exterior + - Composed of four part kinds: a solid Single Unit, windowed Row Extension units, and the Thin Sides that close the case + - Windowed Row Extension units carry a side window that lets a power distribution pass between rows + - Must be closed by its sides before use +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual +videos: + - videoId: 0A3WHzI7Xc8 + - videoId: w9NxZxlYfFg diff --git a/data/hardware/frap-tools-qsc.yaml b/data/hardware/frap-tools-qsc.yaml new file mode 100644 index 000000000..ddb511f76 --- /dev/null +++ b/data/hardware/frap-tools-qsc.yaml @@ -0,0 +1,221 @@ +id: BkEqD6y4D5AXZdlAWKOYA +name: QSC +manufacturer: frap-tools +primaryCategory: mixer +categories: + - modular + - analog +capabilities: + - saturation +url: https://frap.tools/products/qsc/ +prices: + - amount: 450 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The Quad Stereo Channel (QSC) packs four stereo mixer channels with + voltage-controlled input VCAs, two effect sends each and switchable pan or + crossfade. It works inside a standard CGM configuration or as a standalone + stereo mixer with mono effect sends. +details: |- + The Quad Stereo Channel (QSC) consists of four stereo channels, with a design based on the Channel module that also borrows some concepts from the Group and the Master modules. The colour scheme reflects the same routing as those modules: VCA in red, two effect sends in yellow and green, pan in pink, auxiliary input in purple, and main faders in white. The feature set allows the QSC to sit inside a standard CGM configuration or to work as a standalone stereo mixer with mono effect sends. + + Each channel features two amplitude controls, an input stereo VCA and a volume fader. The input VCA is voltage-controllable and, given enough input amplitude, it can overdrive the circuit for a creamy, fat saturation, with a peak LED indicating when the signal is clipping. A mute button removes a channel from the group sum and works over the input VCA, so it mutes the effect sends as well. + + The yellow and green knobs set two effect send levels per channel, switchable pre- or post-fader, and two of them can be voltage-controlled. A switch selects whether the panpot places the channel in the stereo field or crossfades between two monophonic sources, which allows the module to be used as a limited eight-channel mono mixer. CV control is available over the pan and crossfade sections of channels 1 and 4. + + Two unbalanced outputs, left and right, provide the local sum of the four channels, so the QSC can act as a standalone four-channel stereo mixer in smaller systems or be parallel-processed in larger ones. Two monophonic jack outputs mirror the effect send sum passed to the group, which keeps the send capability usable in a compact system where the Group module does not fit, and allows advanced routing in larger setups by processing the same sum twice. An auxiliary mono input adds one more signal straight to the final sum with no attenuation and no controls. + + The Solo-In-Place button prepares a scene of channels to be isolated from the others, recalled through the Safe Solo button on the Group module, which works as a mute group that silences everything outside the solo scene. The PFL button, used with the PFL fader on the Master module, previews a channel for tuning oscillators or checking a source before it enters the mix. +specs: |- + - Four stereo channels, usable as stereo or as dual mono + - Voltage-controlled stereo input VCA per channel, able to saturate when driven hard, with a peak LED + - Volume fader per channel with a 12 mm knob + - Two effect sends per channel, yellow and green, switchable pre- or post-fader + - CV over the input VCA on all four channels + - CV over pan on channels 1 and 4 + - CV over the yellow send on channel 1 and the green send on channel 4 + - Pan or crossfade switch per channel, allowing use as an eight-channel mono mixer + - Electronic latching mute and PFL per channel, with a mechanical solo-in-place switch + - Two unbalanced local sum outputs, left and right, for standalone four-channel stereo mixing + - Two monophonic effect send outputs mirroring the send sum passed to the Group module + - Auxiliary mono input added straight to the final sum with no attenuation or controls + - Usable inside a standard CGM configuration or as a standalone stereo mixer + - Bus-powered from the Eurorack case power bus, with no power jack of its own +io: + - key: 6YdJP83A + name: Channel 1 Input L + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: jK1jdKJL + name: Channel 1 Input R + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: I2kkQQU1 + name: Channel 2 Input L + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: KxK6RBF7 + name: Channel 2 Input R + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: w9l415PE + name: Channel 3 Input L + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: HMejSggh + name: Channel 3 Input R + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: DwTY1rZe + name: Channel 4 Input L + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: MtPCu7rk + name: Channel 4 Input R + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: fXFlTmUi + name: Channel 1 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: PFYdZjeg + name: Channel 2 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: H8cHMD4E + name: Channel 3 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: SqkhE8UD + name: Channel 4 VCA CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: R2CyNDXF + name: Channel 1 Pan CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: TuNEdo0x + name: Channel 4 Pan CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: mLhv1pXi + name: Channel 1 Yellow Send CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: vxSHs179 + name: Channel 4 Green Send CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: aPtZMeFH + name: Auxiliary Mono Input + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: PSLgDWT9 + name: Local Sum Output L + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: JJTLV6GX + name: Local Sum Output R + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: rqj6VmZg + name: Yellow Effect Send Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: qzq7UtcN + name: Green Effect Send Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual +videos: + - provider: youtube + videoId: K3xBzZQnzkQ + title: QSC Quad Stereo Channel diff --git a/data/hardware/frap-tools-sapel.yaml b/data/hardware/frap-tools-sapel.yaml new file mode 100644 index 000000000..2924d8753 --- /dev/null +++ b/data/hardware/frap-tools-sapel.yaml @@ -0,0 +1,218 @@ +id: 5vxFNQUSMe4i0FhhUVHMt +name: SAPÈL +manufacturer: frap-tools +primaryCategory: utility +categories: + - modular + - analog +url: https://frap.tools/products/sapel/ +prices: + - amount: 440 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: SAPÈL is an analog random control voltage generator for Eurorack + systems, built around two clusters of four sample and hold circuits that + sample analog thermal noise. A second section provides four analog noise + outputs in blue, white, pink and red. +details: |- + SAPÈL is an analog generator of random control voltages for Eurorack modular systems. It generates a wide variety of random values to add dynamics to a patch, and those values are sampled on analog thermal noise to guarantee the truest random generation. Its main section is composed of two identical clusters of four sample and hold circuits each, yellow and green, generating as many different random values simultaneously. + + Three of the four sample and hold circuits in each cluster provide stepped random voltages: two are quantized in notes and one is unquantized. The fourth circuit features an integrator that generates a fluctuating stream of random voltages, independent of the clock and with its own potentiometer to set its rate. The three stepped generators are synced, so they output three different values at the same time. + + The yellow and green generators have two independent internal clocks, each of which can be replaced with an external clock or temporarily overridden by an external signal or the manual button. The internal clock rate can also be modulated externally. Regardless of the clock in use, each cluster carries two clock outputs, one mirroring the input clock and one providing random clock behaviour: in Less Than mode the random clock outputs occasional clocks, in More Than mode it outputs more clocks than the main one, and the Global Rate of Change sets the random clock density. + + The quantized circuits draw on the classic Buchla 266 but were redesigned from scratch for a more even and musical value distribution. The 2^n circuit generates random voltages tuned to 12-EDO semitones and the n+1 circuit outputs voltages quantized to octaves, with each circuit's knob setting n from 1 to 6, so the semitone section can output 2, 4, 8, 16, 32 or 64 semitones and the octave section 2, 3, 4, 5, 6 or 7 octaves. Each generator also carries a classic unquantized sample and hold circuit with a wide range. + + A probability distribution control sets the average magnitude of the random voltages, biasing the sample and hold circuits towards low, mid or high values, and on each section it can be routed to each of the four generators independently. The second section of the module provides four analog noise outputs, blue, white, pink and red, derived from the same analog noise used to sample the random values. +specs: |- + - Two independent random sections, yellow and green, each with four sample and hold circuits + - Eight random voltages generated simultaneously from analog thermal noise + - Two quantized random outputs per section: a 2^n circuit tuned to 12-EDO semitones and an n+1 circuit quantized to octaves + - Quantization knobs set n from 1 to 6, giving 2, 4, 8, 16, 32 or 64 semitones and 2, 3, 4, 5, 6 or 7 octaves + - Fixed 6-bit quantization with variable source amplitude + - One unquantized sample and hold random output per section, unipolar + - One fluctuating random voltage output per section with its own rate control, unipolar and clock-independent + - Two internal clock generators with a range of about 0.1 Hz to 60 Hz, each overridable by an external clock, an external signal or the panel button + - Clock output and random clock output per section, with selectable More Than or Less Than random clock behaviour + - Global Rate of Change control setting random clock density + - Probability distribution control per section, routable to each of the four generators independently + - Four analog noise outputs: blue, white, pink and red + - Bus-powered from the Eurorack case power bus, with no power jack of its own +io: + - key: GUUR902z + name: Yellow Clock Input + signalFlow: input + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: Jrw510LP + name: Yellow Trigger Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: huFNbBNC + name: Yellow Clock Rate CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: pG5bjBZt + name: Yellow Quantized Semitone Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: gAzgR6dU + name: Yellow Quantized Octave Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: lObV7OIi + name: Yellow Unquantized Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 1UQERuA7 + name: Yellow Fluctuating Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: olA3Xg3q + name: Yellow Clock Output + signalFlow: output + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: gWPBKGaI + name: Yellow Random Clock Output + signalFlow: output + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: d2mDF8BV + name: Green Clock Input + signalFlow: input + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: Ue8debte + name: Green Trigger Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: O0ydWfXc + name: Green Clock Rate CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: h7wfh74E + name: Green Quantized Semitone Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: PECvvR3k + name: Green Quantized Octave Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: WUbWS7DB + name: Green Unquantized Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 2TvVRJiN + name: Green Fluctuating Random Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: qWP8sy6i + name: Green Clock Output + signalFlow: output + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: HQwzW8ZD + name: Green Random Clock Output + signalFlow: output + category: audio + type: clock + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: NZXI9Pa1 + name: Blue Noise Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: EyiZ8J0g + name: White Noise Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: ZwPcOKBo + name: Pink Noise Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: g3ONZYB5 + name: Red Noise Output + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom diff --git a/data/hardware/frap-tools-sc.yaml b/data/hardware/frap-tools-sc.yaml new file mode 100644 index 000000000..ecdf2d123 --- /dev/null +++ b/data/hardware/frap-tools-sc.yaml @@ -0,0 +1,119 @@ +id: MZDFVFNn8ERvr8ZLjmmO- +name: SC Stereo Channel +manufacturer: frap-tools +primaryCategory: mixer +categories: + - modular +capabilities: + - saturation +url: https://frap.tools/products/sc/ +prices: + - amount: 175 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The Stereo Channel is a single-channel stereo module for the CGM + Eurorack mixer, fully compatible with every other product of that family. Its + semi-normalled I/O lets it work stereo to stereo, mono to mono, mono to stereo + or stereo to mono, and every parameter is voltage-controllable. +details: |- + The SC is the stereo member of the CGM channel family, a single-channel module through which a Eurorack signal enters the mixer and starts its way to the outside world. It is compatible with every other product in the family, and it sets the input gain, the volume in the mix, the two effect send levels and the stereo placement of the sound. + + A flexible I/O semi-normalization pattern means the channel is not restricted to stereo work. A mono signal can be patched in and recorded in stereo straight after the VCA to follow the voltage-controlled panning, two mono sources can be blended into one, and the direct outputs behave the same way: the left output alone gives a mono sum, both together a stereo signal. + + There are two amplitude stages, a voltage-controlled input VCA and a volume fader. With enough level at the input the VCA overdrives into a creamy, fat saturation, and a peak LED shows when the signal is clipping. The direct output can be taken pre-fader, straight after the input VCA, or post-fader with the main fader shaping its amplitude, which suits parallel processing or multitrack recording. + + The two effect sends, marked yellow and green, work pre- or post-fader and are both voltage-controllable. So is the pan knob, and a Pan/Crossfade switch turns the channel into a dual mono mixer in which the pan pot balances the two inputs into a mono sum. + + Mute, PFL and Solo-In-Place complete the strip. The electronic latching mute acts on the input VCA, so it removes the channel from the group sum and silences its effect sends with it. The Solo-In-Place switch prepares a scene of channels to be isolated, recalled from the Safe Solo switch on the group, and the PFL button previews the channel on the master's PFL fader, which is handy for tuning an oscillator before bringing it into the mix. +specs: |- + - One stereo channel circuit, usable stereo to stereo, mono to mono, mono to stereo or stereo to mono through a semi-normalled I/O pattern + - Voltage-controlled input VCA that saturates when pushed, with a peak LED + - 12 mm volume fader + - Two effect sends, switchable pre- or post-fader, both voltage-controllable + - Voltage-controlled pan with a Pan/Crossfade switch for dual mono blending + - Semi-normalled mono or stereo direct output, selectable pre- or post-fader + - Electronic latching mute and PFL, mechanical Solo-In-Place switch + - Links to a group module through the CGM Link System 10-pole IDC pin headers on the back, which carry audio, power and controls + - Bus-powered from the Eurorack case through its power header, with no power jack of its own + - Ships with power cables only; the group it links to supplies the two-channel Link System cable +io: + - key: IHNGd2EU + name: Audio Input Left + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: qFy5wlen + name: Audio Input Right + signalFlow: input + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: QdCWWoyP + name: Direct Output Left + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: aj2w9EAF + name: Direct Output Right + signalFlow: output + category: audio + type: line + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: SBMvebiW + name: Input VCA CV + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: qbXi4NqN + name: Pan CV + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: feVccgyY + name: FX Send Yellow CV + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: P6w0MhPT + name: FX Send Green CV + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: SA6QlDPj + name: Eurorack Bus Power Header + signalFlow: input + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Bottom +links: + - url: https://frap.tools/manualone/ + type: resource + title: Manual +videos: + - provider: youtube + videoId: aJXOOXmY2eE diff --git a/data/hardware/frap-tools-silta-flying-bus.yaml b/data/hardware/frap-tools-silta-flying-bus.yaml new file mode 100644 index 000000000..0b5eaeacb --- /dev/null +++ b/data/hardware/frap-tools-silta-flying-bus.yaml @@ -0,0 +1,77 @@ +id: pEZRssGDUyWI_UNOJCCV_ +name: Silta Flying Bus +manufacturer: frap-tools +primaryCategory: utility +categories: + - modular +url: https://frap.tools/products/silta-flying-bus/ +prices: + - amount: 13 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: The Silta Flying Bus is a Eurorack power distribution bus, offered + with six plugs for module power connectors or in a larger twelve-plug size. +specs: |- + - Flying bus for Eurorack power distribution, with six plugs for module power connectors + - Also sold in a twelve-plug size (F-SLT0-FB) + - Order code F-SLT1-FB for the six-plug size + - Weight 0.102 kg + - Packaged dimensions 15.6 x 6 x 6 cm +io: + - key: ZQPt6EqN + name: Power Header 1 + signalFlow: bidirectional + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Top + - key: AXTYiP7C + name: Power Header 2 + signalFlow: bidirectional + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Top + - key: TEDzgttw + name: Power Header 3 + signalFlow: bidirectional + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Top + - key: XexTYIYC + name: Power Header 4 + signalFlow: bidirectional + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Top + - key: vIYt1SZq + name: Power Header 5 + signalFlow: bidirectional + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Top + - key: kRHSY9Ws + name: Power Header 6 + signalFlow: bidirectional + category: power + type: power + connection: pin-header + maxConnections: 1 + position: Top + - key: sLtaIdc1 + name: Power Input + signalFlow: input + category: power + type: power + connection: idc + maxConnections: 1 + position: Bottom diff --git a/data/hardware/frap-tools-usta.yaml b/data/hardware/frap-tools-usta.yaml new file mode 100644 index 000000000..aa6802f86 --- /dev/null +++ b/data/hardware/frap-tools-usta.yaml @@ -0,0 +1,206 @@ +id: 4eewFzrcvntb4YtGU3azp +name: USTA +manufacturer: frap-tools +primaryCategory: sequencer +categories: + - modular + - digital +capabilities: + - sequencing +url: https://frap.tools/products/usta/ +prices: + - amount: 650 + currency: EUR + asOf: 2026-11-09 + source: https://frap.tools +description: USTA is a 4×4 track sequencer for control voltages and gates with + variable stage duration, built to show and edit several voltage relationships + at once. Sixteen push rotary encoders arranged in an oval layout with a + circular playhead give direct access to every stage. +details: |- + USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time. Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio of one stage per clock impulse. The 4×4 tracks description means that every stage can store and generate up to four separate voltages, two CVs and two gates, and that up to four independent stage sequences can be arranged into as many different tracks. + + The architecture is based on an array of 16 stages that form a pattern, 16 patterns that form a track, and four tracks that form a project. Within each track, each stage can provide two gates and two CVs, and a wide set of options defines and modifies the value of each output, called Layers, and the way it is played, called Colors. Every stage has a dedicated stepped encoder, and all 16 encoders are arranged in an oval layout with a circular playhead, each surrounded by a ring of 16 LEDs plus an RGB LED for visual feedback of the current setting. + + Each track carries two programmable gate and CV outputs for a total of four streams of data, which allows eight potential melodies to play at once. The same outputs can instead produce unquantized voltages with 1 mV resolution for complex arbitrary functions. Each track can be quantized independently to a given root or scale, with up to four user-written scales, and octave divisions of 15, 19, 22 or 24 tones are available alongside the usual 12-tone temperament. + + Each track can have its own clock division or multiplication and even its own clock speed, and some tracks can run from an external clock, which makes polyrhythmic structures and experimental multitempos straightforward. Stage durations are individually variable in relation to the track clock for syncopated melodies and odd time signatures, and a swing function sits on top of that. + + Pattern structure can be modified live through pattern recalling, pattern mixing on the fly and custom loop points, or defined in advance with song mode, while the Stage Loop function sets a parallel cross-pattern loop with a flexible starting point, length and duration. Composition Mode allows note-by-note editing while the sequencer is stopped, including note entry from an external CV controller. Every CV and gate sequence can be modulated non-destructively through the internal Variation controls or the two CV inputs, which address pitch, gate, stage, variation, root, phase and pattern targets across the four tracks, and the results can always be stored as a new pattern. +specs: |- + - 8 CV outputs at 16-bit resolution, each with a soft selectable range of ±5 V or 0 V to +10 V + - 2 CV inputs at 12-bit resolution, accepting -5 V to +10 V + - 8 gate outputs + - 2 gate inputs + - 16 stages per pattern, 16 patterns per track, 4 tracks per project + - Two CVs and two gates per stage on each track + - 1 mV resolution on unquantized CV output + - Per-track quantization to a root and scale, with up to four user-written scales + - Octave divisions of 15, 19, 22 and 24 tones alongside 12-tone equal temperament + - Per-track clock division, multiplication and independent clock speed, with external clock available per track + - Individually variable stage duration relative to the track clock, plus a swing function + - Three stage colors per CV or gate value: nominal, slide and ratchet, or skip + - Sixteen push rotary encoders, each ringed by 16 LEDs and an RGB LED, with three modifier buttons + - CV input targets: pitch shift, gate shift, stage shift, vari shift, root shift, phase shift and pattern shift + - Bus-powered from the Eurorack case power bus, with no power jack of its own +io: + - key: lsc74qwF + name: CV Output 1 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: xp0Ow55G + name: CV Output 2 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: gngSgtK2 + name: CV Output 3 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: J44EGdX1 + name: CV Output 4 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: sT16Duv7 + name: CV Output 5 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: FD5CB72w + name: CV Output 6 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: I1Le9VzN + name: CV Output 7 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 7ggf5aR3 + name: CV Output 8 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: tDNlj6LZ + name: Gate Output 1 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: FIAMMnl2 + name: Gate Output 2 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: 3mjvY93a + name: Gate Output 3 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: WEmb13bA + name: Gate Output 4 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: yVl0oPdc + name: Gate Output 5 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: DKgyuP4S + name: Gate Output 6 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: StST6Yel + name: Gate Output 7 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: fLVn5OvN + name: Gate Output 8 + signalFlow: output + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: q6eVTwXo + name: CV Input 1 + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: yLCGDipG + name: CV Input 2 + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: fiGQOu9t + name: Gate Input 1 + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom + - key: TWAmcgeC + name: Gate Input 2 + signalFlow: input + category: audio + type: cv/gate + connection: 1/8-inch + maxConnections: 1 + position: Bottom